![\"\"](\"http:\/\/dev.fragmentsmag.com\/wp-content\/uploads\/2015\/05\/npw-4.jpg\")
(LEFT) Leather Artisan, Ko SODA, who invented “NPW” method. (RIGHT) Hiroshi FURUMOTO, who spotted a light to another value of “NPW” and created workshop using “NPW” method. (Photography: Carlos)<\/p><\/div><\/p>\n
Hiroshi FURUMOTO: <\/strong>Originally, I started this workshop after being inspired by Mr. Soda\u2019s series, \u201cNPW\u201d. I was so amazed that these bags were really easy to make for everyone. I even thought, \u201cIs it OK for a creator to show this as his work?\u201d <\/p>\n Ko SODA: <\/strong>\u201cNPW\u201d is a series I created with the most basic techniques I knew. To start with, I always felt that there are two types of beauty. I like creating things using very advanced skills and the best materials. But at the same time, I was aware that its opposite also led to beauty. For example, I also see beauty even in a piece of leather fabric which my daughter randomly cut out.<\/p>\n “NPW Collection” Bags created by SODA (Photography: Courtesy of TOKI-NO-KUMO)<\/p><\/div>\n SODA: <\/strong>However, for twenty years as an artisan, I used to make products which involve the most advanced techniques and great materials. However, eventually we started encountering problems such as productivity, types of material, and parts getting out of stock. I started thinking that these problems come up because we are trying to achieve stability. <\/p>\n I then realized that it makes more sense if we are after \u201cthe other value\u201d, which I just mentioned. \u201cNPW\u201d is one of the end results of such thoughts. We use scrap leather, and the techniques involved is only to patch them up and hold them together with caulking. <\/p>\n FURUMOTO: <\/strong>When I first had an opportunity to see photos of \u201cNPW\u201d, I thought \u201cThis is way too easy!\u201d and \u201cEven if you wanted simplicity, this is too much!\u201d However, in 2013 we held an exhibition of Mr. Soda\u2019s bags called \u201c100bags\u201d at my shop and I had another careful look at \u201cNPW\u201d products. I fell in love with them. That\u2019s why I started purchasing them for my shop. Then one day, a caulking just fell off one of the \u201cNPW\u201d products I had in the shop. So I asked Mr. Soda if I can send it back to him to be repaired. <\/p>\n SODA: <\/strong>I told him that I can send the parts but he should fix it, because anyone can do that job. <\/p>\n FURUMOTO: <\/strong>Exactly. So the parts arrived and I tried, then I was actually able to fix it with only a hammer. I really loved that. These are easy for anyone to make, and packed with all sorts of elements such as recycling, which is a social problem, art, education, and creativity. I got inspired that, with this product, I may be able to do something meaningful much more than just selling stuff. <\/p>\n I was actually growing weary of products made using \u201cprofessional skills and carefully chosen materials\u201d, after running a shop for 10 years. Every exhibition and brand focuses so much on techniques and design. But these products perish and get consumed, or are just thrown away if they don\u2019t sell. I was feeling frustrated because I was not running my shop just to sell such temporary stuff. I really wanted to start offering \u201cevents and experiences\u201d that are not consumed like some products. <\/p>\n FURUMOTO: <\/strong>In my workshop, I always tell customers what Mr. Soda said: \u201cUse the materials available, skills that match your ability, and work fast without thinking too much.\u201d Everyone goes home smiling and satisfied after attending a workshop. I believe that they feel so good working with momentary intuition and natural rhythm that come to them.<\/p>\n SODA: <\/strong>Every day we see things designed by someone. But I feel that unfortunately many of them backfire. Maybe people think too much about which material and color to use, how to process and package them, etc. I think it’s just enough to simply choose what is available and decide quickly. \u201cNPW\u201d is my experiment based on these principles. <\/p>\n FURUMOTO: <\/strong>These principles apply to everything in life. For example, how decisions are arrived at. Sometimes our communication doesn\u2019t go well and things don\u2019t get rolling, or we become uncomfortable because of lack of trust. When you have a bad flow like that, often the event doesn\u2019t succeed either. <\/p>\n SODA: <\/strong>You just end up wasting your time and energy, don\u2019t you? We get caught up so much with details and forget about the overall flow. For instance, I don\u2019t like the system of contracts. Contracts take so much time to create but don\u2019t work practically most of the time. In order to create a smooth flow, I guess we have to let go of some things and start trusting people and situations. With trust, we will be able to overcome the unexpected and create something positive in the end. <\/p>\n FURUMOTO: <\/strong>At times I purposely do things in \u201cNPW style\u201d. Even when we go out for drinks, we don\u2019t decide which bar to go to in advance. Let\u2019s say we are drinking with friends or someone important, and decided to go to another bar. I would rather choose a casual restaurant nearby than going all the way to a nice bar. Sometimes we are so excited, but as we are moving to the next place, that mood somehow fades away. However, if you just go to a restaurant next to where you are, you get to maintain the mood and rhythm, which means a better time if you look at it in total. Therefore, I stopped spending so much effort trying to choose which place to go to. I kind of go with the flow. <\/p>\n SODA: <\/strong>Well, I doubt it is a good idea to go to a casual restaurant when you are on a date, though! But what is important is to appreciate and \u201caccept\u201d. Everything has positive aspects. The reason I didn\u2019t buy new leather when I started \u201cNPW\u201d was because I knew that you can\u2019t buy scrap materials even if you wanted. I was conscious to pick on the positive side. <\/p>\n FURUMOTO: <\/strong>Even in my workshop, sometimes you just put a piece of material which you don\u2019t particularly like, and see that it fits well. Other times people cut a piece too deep, and I tell them \u201cThat\u2019s going to be your trademark, so you don\u2019t have to fix it.\u201d That really works. Mistakes become a part of the design. <\/p>\n SODA: <\/strong>I think it is just to \u201caccept\u201d the situation. You might think \u201cOops, I made a mistake,\u201d but actually that naturally leads to the best outcome. When you experience something like that a number of times, you stop caring about small things. <\/p>\n FURUMOTO: <\/strong>Many creators and designers keep fixing and correcting their design until they think it is perfect. \u201cNPW\u201d is exactly the opposite. I really see art in that care-free, experimental way of creating. I think it can have a great impact in the field of education, too.<\/p>\n SODA: <\/strong>I even hated art. But someone told me that \u201cart is a personal vision of the future\u201d. You can just say something based on your personal view and feeling, even if it is wrong. I started understanding that art allows you to irresponsibly exert something that is totally new. It doesn\u2019t matter if people don\u2019t accept it for now, they may understand it later. That is art. Marketing, design, and fashion all take so much time, but I think they are not keeping up with the speed of the current generation. <\/p>\n![\"\"](\"http:\/\/dev.fragmentsmag.com\/wp-content\/uploads\/2015\/04\/11174688_772636769516298_727398583720099471_o.jpg\")
Natural Rhythm of “NPW”<\/h3>\n
![\"11200887_825049947574072_3547165523062973598_n\"](\"https:\/\/i0.wp.com\/dev.fragmentsmag.com\/en\/wp-content\/uploads\/sites\/2\/2015\/05\/11200887_825049947574072_3547165523062973598_n.jpg?ssl=1\" "\\"11200887_825049947574072_3547165523062973598_n\\"")
<\/a> <\/div> <\/div> <\/a> <\/div> <\/div> <\/div> <\/div>\n <\/a> <\/div> <\/div> <\/a> <\/div> <\/div> <\/div> <\/div>\n\u201cArt is a personal vision of the future\u201d<\/h3>\n
<\/a> <\/div> <\/div> <\/a> <\/div> <\/div> <\/div> <\/div>\n\r\nKo SODA<\/strong>\r\nShoes Artisan. Born in 1971, Tokyo. Soda started creating shoes during his childhood, and taught shoes making all by himself. In 1991, Soda entered Taito Bunko. After graduating, he started his career as shoes artisan since 1998. Soda kept his made-to-order style, by meeting with each of his customer until 2005, when he released his pret-a-porter shoes collection.\r\nWebsite\uff1ahttp:\/\/www.sodako.com\/<\/a>\r\n\r\nHiroshi FURUMOTO<\/strong>\r\nBorn in 1974. In 2003, he opened a multi-brand store \u201cfoo\u201d; where he started selling \u201cKo\u201d ever since the openening.\r\nFollowing a big success of the workshop \u201cTry making NPW365\u201d held at \u201cfoo\u201d on August 2014, Soda appointed him as an official NPW workshop instructor. \r\n\u201cfoo\u201d Online Shop\uff1awww.foo-apartment.com<\/a>\r\n<\/pre>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":32749,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false},"categories":[3],"tags":[736,591,830],"acf":[],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/dev.fragmentsmag.com\/en\/wp-content\/uploads\/sites\/2\/2015\/05\/npw-dialogue-cover.jpg","_links":{"self":[{"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/posts\/32734"}],"collection":[{"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/comments?post=32734"}],"version-history":[{"count":4,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/posts\/32734\/revisions"}],"predecessor-version":[{"id":32920,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/posts\/32734\/revisions\/32920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/media\/32749"}],"wp:attachment":[{"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/media?parent=32734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/categories?post=32734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.fragmentsmag.com\/en\/wp-json\/wp\/v2\/tags?post=32734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}